{"id":387,"date":"2016-09-23T01:57:08","date_gmt":"2016-09-22T17:57:08","guid":{"rendered":"http:\/\/thesis.arch.hku.hk\/2016\/?p=387"},"modified":"2016-10-01T17:14:35","modified_gmt":"2016-10-01T09:14:35","slug":"poiesis-repercussion","status":"publish","type":"post","link":"http:\/\/thesis.arch.hku.hk\/2016\/poiesis-repercussion\/","title":{"rendered":"Poiesis Repercussion"},"content":{"rendered":"

 <\/p>\n

\"the-castle-of-the-pyrenees-1959\"<\/a><\/p>\n

Fig.1. Rene MAgritte. “The Castle of the Pyrenees, 1959”\u00a0Access September 23.\u00a02016.\u00a0http:\/\/www.renemagritte.org\/<\/a><\/p>\n

\u201c<\/em>One sees clearly only with the heart. What is essential is invisible to the eye.\u201d<\/em><\/p>\n

Le Petit Prince, Antoine de Sain-Exupery, 1943<\/em><\/p>\n

The objective of this thesis is to create a new architectural point to challenge the viewer’s perception of the architecture formation and the conventional archetype with its spatial praxis. Architecture starts from imagination and spatially constructed by story. Story is a perceived space which allows the unrealized potential of the world to be realized. It is inclusive that allows existence of discrepancy. Poiesis repercussion is an experimental process to redefine the formation of architecture. It criticizes modernity’s obsession with function caused deficient in identity and alienation. It is a continual process to evoke people\u2019s imagination, contextualize and establish the meaning of space. It redefines the root in reality and provoke criticality.<\/p>\n","protected":false},"excerpt":{"rendered":"

  Fig.1. Rene MAgritte. “The Castle of the Pyrenees, 1959”\u00a0Access September 23.\u00a02016.\u00a0http:\/\/www.renemagritte.org\/ \u201cOne sees clearly only with the heart. What is essential is invisible to the eye.\u201d Le Petit Prince, Antoine de Sain-Exupery, 1943 The objective of this thesis is<\/p>\n","protected":false},"author":160,"featured_media":388,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[101,102,103,104,105],"acf":[],"_links":{"self":[{"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/posts\/387"}],"collection":[{"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/users\/160"}],"replies":[{"embeddable":true,"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/comments?post=387"}],"version-history":[{"count":18,"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/posts\/387\/revisions"}],"predecessor-version":[{"id":409,"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/posts\/387\/revisions\/409"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/media\/388"}],"wp:attachment":[{"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/media?parent=387"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/categories?post=387"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/tags?post=387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}