{"id":588,"date":"2016-09-23T21:29:14","date_gmt":"2016-09-23T13:29:14","guid":{"rendered":"http:\/\/thesis.arch.hku.hk\/2016\/?p=588"},"modified":"2016-09-23T21:29:14","modified_gmt":"2016-09-23T13:29:14","slug":"deconstruction-of-music-and-reorganization-of-architecture","status":"publish","type":"post","link":"http:\/\/thesis.arch.hku.hk\/2016\/deconstruction-of-music-and-reorganization-of-architecture\/","title":{"rendered":"Deconstruction of Music and Reorganization of Architecture"},"content":{"rendered":"

The thesis attempts to translate a piece of music into an architectural form and spatial relationship.\u00a0Music and architecture share many similar attributes and logic. They both put basic modules together sensibly to realize a holistic atmosphere, where\u00a0order, hierarchy and aesthetics lie.<\/p>\n

I am interested in\u00a0deconstructing a musical piece to understand the effect of the structure and\u00a0looking at if the deconstructed elements have their counterparts\u00a0in architectural language. For example, music consists of sound and silence, while architecture consists of solid and void. I\u00a0hope to engage music with architecture beyond the metaphorical sense, and\u00a0to use music to set up a form-finding methodology, to explore the possibility of underlying spatial logic, and most importantly, to celebrate the potential of theatricality that architecture has the capacity\u00a0to embrace.<\/p>\n

\"Cited<\/a>

Cited on Sep. 23rd, 2016, http:\/\/www.architecturaldigest.com\/gallery\/best-of-frank-gehry-slideshow\/all<\/p><\/div>\n

\"Iannis<\/a>

Iannis Xenakis: Music and Architecture: Architectural Projects, Texts, and Realizations<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

The thesis attempts to translate a piece of music into an architectural form and spatial relationship.\u00a0Music and architecture share many similar attributes and logic. They both put basic modules together sensibly to realize a holistic atmosphere, where\u00a0order, hierarchy and aesthetics<\/p>\n","protected":false},"author":157,"featured_media":593,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[176,173,175,172,174],"acf":[],"_links":{"self":[{"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/posts\/588"}],"collection":[{"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/users\/157"}],"replies":[{"embeddable":true,"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/comments?post=588"}],"version-history":[{"count":2,"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/posts\/588\/revisions"}],"predecessor-version":[{"id":629,"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/posts\/588\/revisions\/629"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/media\/593"}],"wp:attachment":[{"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/media?parent=588"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/categories?post=588"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/thesis.arch.hku.hk\/2016\/wp-json\/wp\/v2\/tags?post=588"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}